Explain what is meant by ‘collective identity’ and the role
of media in its construction.
Collective identity is how an individual fits to a certain
stereotype, to the extent that they no longer have their own personal identity
but share the same identity with others designated to the same group. This
classification of groups in society as presented in the media is vast, ranging
from ethnic grouping to youth. Youth are usually presented in a highly negative
manner across the media, gaining a bad reputation which is reflected in
everyday life.
The Clockwork Orange is a film which includes content such
as murder and vicious sexual activities while presenting them throughout the
film in a highly artistic manner. This is achieved through the use of setting
and costume with a very futuristic approach by using brightly coloured wigs,
eccentric artwork and wallpapering and unusual clothing. This could be
interpreted as a representation of how a teenager perceives life, the gang’s
peculiar setting matching their deranged minds.
Mise-en-scene is also used in the Clockwork Orange to
present teenagers as highly sexualised. The gang leader known as Alex lives in
a house in which graffiti is often evident within multiple shots. The graffiti
on the walls is significantly sexual in nature, often including in shots behind
the characters to present the idea to the audience that both are intimately
linked. In addition, the paintings within various houses within the film are
highly sexual in nature, with paintings of the naked human form, particularly
in the scene in which Alex’s friends deceive him when he visits a woman’s
house. This creates this idea that youths are overly sexualised from a young
age and have little else in their mind apart from committing immoral crimes.
This idea of being immoral is again developed through
mise-en-scene with the use of Alex’s pet snake and the ornament of Jesus nailed
to a cross. Close up shots of Alex’s pet snake are shown in the scene where you
are introduced to his home, alluding to the idea of first sin in the Garden of
Eden. This biblical imagery is furthered through the close-up shots of an
ornament of Jesus nailed to a cross, the several shots running in time with the
crescendo of the music. These biblical images are used to build tension for the
audience, giving a highly negative perception of youth today.
Waterloo road is also another programme which represents
youth in a negative manner. In series 8, episode 13, a blonde girl is
introduced as having materialistic values of caring more about her appearance
than school as she threatens to drop out. The way in which she dresses
emphasises this idea, the high quantity of makeup paired with her rebellion
against school rules by not wearing proper uniform presents her as a shallow
person, which again shows youth negatively.
This negative representation that dominates the majority of
media is a common occurrence can be explained through the theory of hegemony by
Gramsci. Hegemony is the idea that ideological beliefs of the upper class are
forced onto inferior classes in society which we accept to the point that the
representations become the norm. The presentation of youth can therefore be
explained by Giroux as this idea of creating moral panic among lower class
citizens of their anxieties of a particular culture. To raise the public’s
concerns about youth is viewed as unacceptable by Women in Journalism at the
conference entitled ‘Hoodies or Altar Boys?” who expressed “deep concern” about
the “serious image problem” that teenage boys in modern day society face in the
media. From extensive research into various news articles, they found that a
“group of 14 year old boys […] doing positive things in this area” were ignored
by journalists who stated that “that’s not the story people are interested in”
documented by the Morning Chronicle. This furthers the idea that youths are
exploited in media, potentially to the point in which they become outcasts from
society.
The cultivation theory states that repeated exposure to the
same message can have an effect on the audience’s attitudes. This accentuates
the idea that these reoccurring negative images of youth could cause issues
within society through influencing audiences to agree with bias attitudes of
adults who are expressing anxieties about this group of people being highly
violent.